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Yoko Ono's artistic vision, encapsulated in her concise nine-word instruction, "Light a match and watch till it goes out," laid the groundwork for a revolutionary approach to art. This early work, titled Lighting Piece and originating in the autumn of 1955, exemplifies her groundbreaking practice where the observer's engagement is paramount to the artwork's realization. Her influence predates many contemporary artists known for similar interactive and conceptual works, such as Sol LeWitt's design-centric art, Tino Sehgal's experiential "Constructed Situations," and Yayoi Kusama's immersive installations.

Despite often being overshadowed by her celebrity status, particularly her relationship with John Lennon, the 93-year-old artist's extensive and diverse body of work is now receiving a well-deserved reevaluation. The ongoing traveling exhibition, Yoko Ono: Music of the Mind, concluding its run at the Broad in Los Angeles, delves into her enduring themes of unity and human connection. This chronological presentation reveals her significant artistic output predating her meeting with Lennon in 1966, prompting attendees to consider her impact on art independently of her more famous collaborations. Ono was a central figure in the Fluxus movement, which sought to integrate various artistic forms and dissolve the boundaries between art and everyday existence, fostering avant-garde communities in both New York and Tokyo.

Ono's innovative spirit is evident throughout the exhibition, showcasing her early "Instruction" works that seeded conceptual art and performance pieces like Cut Piece. In this provocative 1964 work, audience members were invited to cut pieces from her clothing as she sat passively, a powerful commentary that inspired generations of feminist artists. Curator Sarah Loyer highlights Ono's consistent questioning of the traditional audience-artist dynamic, making viewers active participants rather than passive observers. Other interactive works, such as Painting to be Stepped On (1960), which challenges the sanctity of art objects by inviting physical interaction, and the poignant Helmets (Pieces of Sky) from 2001, which uses military helmets to symbolize collective world repair, underscore her commitment to engagement. Her peace activism is also prominently featured, with works like White Chess Set (1966) designed to promote unity by eliminating adversarial distinctions.

Ono's art transcends conventional boundaries, inviting active participation and fostering a profound sense of shared humanity and collective responsibility. Her works challenge preconceived notions, encouraging us to engage with art and the world around us in more meaningful and empathetic ways. By highlighting the interconnectedness of individuals and advocating for peace, her legacy continues to inspire dialogue and positive change, urging us to contribute actively to shaping a better, more unified future.